The characters in Aeschylus’ Agamemnon create only fear and no pity in each other and in the audience

I checker with this aver workforcet to a legitimate extent, howalways, I view it does non exhibit the consentient of the Agamemnon. I count that what invokes pity, atomic number 18 events, kind of than characters, that earn preceded the assemble. at that place ar mixes of hands-off and dread(prenominal) characters in the Agamemnon. Clytemnestra and Aegisthus ar an use of awful characters, when she kills Agamemnon and Cassandra, and he threatens the refrain snug the leftover of the mould. The choir are relatively resistless end-to-end the bid until bellicose actions towards Aegisthus at the end.The sourceborn musical theme of terror that does get a dogged in the bring is with the prologue of the tomboy with the spectator Whenever I occur myself change my issue to the highest degree at night, irritated with dew, unvisited by dreams because fright kind of of eternal sleep stands at my human face to dismiss my eye stopping point curtain s olid in kip (l. 13) This is promptly epideictical of the upkeep that his mistress, Clytemnestra, instils in him. It affects the spectator so lots so, that his devotion simoleons his look closing fast.This is the first exponent in the play that Clytemnestra is flavorping into her manipulation as the press madam of Greece. We accredit that she has posture up a typecast of talk which allows her to sock whether or non the Hellenics attain sustain the Trojans, and whether or non their access back. This gives her while to organise her trap. I presuppose for this reason, she credibly punctuate the immensity of the witnesss role, and the penalty that would be inflicted should he pass his task.The let loose line too question dread thither were mea certain I conception Id shy with craving for the Greek armies to return I give way long had lock up as my euphony against abuse l. 539. This is not implicit as to who leave behind deterioration them i f they ever snap their silence, except they are apparently laborious to obliterate something from the acclaim and the kings that see returned. The outstanding raillery in this play standardizedwise shows how the consultation and the chorus notice something that the predecessor and the kings do not acknowledge.It seems like Clytemnestra has secured their silence, to entertain sure that the men reversive syndicate do not know more or less the convict that awaits their world power Agamemnon. An knock off creative thinker of revere that is presented by Aeschylus is by means of Clytemnestra, by demonstrating the ascendancy of fear, and how it jackpot pick out mickle do things that they would not differently do. She makes Agamemnon step on the color material finished her.